About 1750 musical scores comprising general musical arrangements by Flynn, and also both printed and manuscript orchestral and vocal scores, scripts and parts arranged for Radio 3GB.

About 7600 music scores and albums, mainly piano and vocal works published in France, Britain, Germany, Austria and Italy in the late eighteenth and nineteenth centuries.

Personal papers of Hevingham-Root, biographies and autobiographies of opera singers and composers, theatre and concert programs, vocal scores, song books, anthems, sacred songs, oratorio, lieder and folk songs.

Albums and pieces of sheet music published in Australia and overseas, around 2700 books and pamphlets, mostly related to Western music, manuscript scores, papers from some composers and orchestras, and personal papers of Kenneth Hince.

Books on music and printed music published in Britain from the mid-17th century to the 20th century.

Ever wondered how people learned the piano in the 1780s, 1880s and 1980s?

Discover the legacy of Dame Nellie Melba, one of opera’s greatest voices, through her unique collection. Featuring sheet music, personal letters, and rare items from her iconic career, this collection offers an intimate glimpse into her rise from Australian talent to international soprano. Explore her artistry, personal connections, and lasting impact on the world of opera.

The Library has the largest collection of sheet music in the country, with over 300,000 items. The bulk of the collection relates to Australian composers, performers and music publishing houses.

2780 music scores for songs and vocal and piano selections from American, British and Australian musicals, music theatre, films and television shows produced from about 1920 to 1990.

A summary of copyright and rights in the Music Collection.

Personal papers, manuscript scores, literary manuscripts, sound recordings and family photographs of Peter Sculthorpe, plus videos of films for which he wrote the music and television interviews.

A comprehensive collection of manuscript pencil scores, drafts of compositions, and fair copies of Sitsky's music dating from 1958 onwards.