Books

Augustus Earle, A bullock hackery or cow coach of India, 1829, nla.gov.au/nla.obj-134513680

Australia. Department of the Interior. Property and Survey Branch. & E. P. Bayliss, J. S. & Cumpston, Antarctica, 1939, nla.gov.au/nla.obj-236895938

Papers of Sir Anthony Musgrave, Microform, nla.gov.au/nla.obj-1126183854

George French Angas (artist) and James William Giles (lithographer), The River Murray, near Lake Alexandrina, 1847, nla.gov.au/nla.obj-135637342

Shinsen Nagasaki no zu, 1801, nla.gov.au/nla.obj-230571001

Harold Cazneaux's first camera, 1904, nla.gov.au/nla.obj-141166704
Harold Cazneaux (1878–1953) was perhaps Australia's best-known photographer of the early twentieth century. He purchased this camera in 1904, shortly after moving from Adelaide to Sydney, and made photographs of Sydney's streets and waterways.
In 1909 he became the first Australian photographer to exhibit his works in a solo show.
Cazneaux was a master of the pictorialist style of photography, using soft focus to capture scenes that were - and remain - familiar to many Australians in a new light. He was able to find a timeless, extraordinary beauty in the everyday.

Bowerbird Blues by Aura Parker

W.A. Mozart (1756–1791), Boosey and Sons’ Complete Edition of Mozart’s Opera, Figaro, for Voice and Pianoforte, with English and Italian Words, London: Boosey and Sons, 1854–1864, Hince Collection (Music), MUS Hince 2 collection M 76, nla.gov.au/nla.cat-vn8596647

Detail from cover of Aurealis Magazine, Issue 7, nla.cat-vn427048